Wednesday, November 30, 2011

When Life's Not Working: 7 Simple Choices for a Better Tomorrow

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Flash of Genius

  • Condition: New
  • Format: DVD
  • AC-3; Color; Dolby; Dubbed; DVD; Subtitled; Widescreen; NTSC
Based on the true story of college professor and part-time inventor Robert Kearns’ (Greg Kinnear) long battle with the U.S. automobile industry, Flash of Genius tells the tale of one man whose fight to receive recognition for his ingenuity at any price. This determined engineer refused to be silenced, and he took on the corporate titans in a battle that nobody thought he could win. When Bob invents a device that would eventually be used by every car in the world, the Kearns think they have struck gold. But their aspirations are dashed after the auto giants who embraced Bob’s creation unceremoniously shunned the man who invented it. While refusing to compromise his dignity, this everyday David will try the unthinkable: to bring Goliath to his knees.In the early-1990s, Greg Kinne! ar was just another amiable talk show host. After As Good As It Gets, however, Kinnear confirmed he could act. If Flash of Genius isn't as harrowing as the Bob Crane biopic Auto-Focus, Kinnear digs just as deep to play a man possessed, in this case taking on Bob Kearns, a Detroit physics professor who invented the intermittent windshield wiper. Supported by his wife (Lauren Graham) and best friend (Dermot Mulroney, making the most of an underwritten part), Kearns aims to align himself with a Motor City auto maker to manufacture his device. Ford expresses interest, so Kearns secures a warehouse, but it all falls apart when they abruptly pull the plug. Then he finds out that they've added automatic wipers to their latest line. Though he patented his invention, the company denies they're using his blueprint, so Kearns takes them to court, a process that drags on for three decades. Meanwhile, his support system starts to collapse as Kearns loses inter! est in everything except the credit he feels he deserves. If t! he film succumbs to some of the pitfalls of the genre, i.e. the win-lose-win structure, producer-turned-director Marc Abraham never paint Kearns as too much of a hero. Through the inventor's brilliance, the world's streets are safer, but his tenacity also drove away some of those he held most dear. Hence, Flash of Genius serves as an inspirational story, a cautionary tale, and the perfect opportunity for Kinnear to make a potentially off-putting character sympathetic. --Kathleen C. Fennessy


Stills from Flash of Genius (Click for larger image)


 
 




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Sultry crime boss Lucy Diamond (Jordana Brewster, The Fast and the Furious) is back in the states and the D.E.B.S.- an elite team of paramilitary college co-ed superspies- are hot on her trail. But when their top agent, gorgeous Amy Bradshaw (Sara Foster, The Big Bounce), mysteriously disappears after coming face to face with the attractive young villainess, the D.E.B.S. begin a full-scale search for Lucy's secret lair, never suspecting that Amy may not want to be rescued after all, in this smart and sexy spy spoof about love at first gun sight.You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passin! g resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the s! cript is silly; overall, the film would have to put on conside! rable we ight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamThe producers of the raw and uncensored Def Comedy Jam and the Tony Award-winning Def Poetry Jam, in association with F.E.D.S. magazine, now take millions of hip-hop fans to the birthplace of the multi-billion dollar rap industry... The Streets. Bringing to life the stories chronicled in each issue of the unofficial street bible, new Def Filmmaker Kwame Amouku is given a pass to the neighborhoods, sets and underground spots that street bosses would never allow TV cameras to enter. Original and present day sets of South Central and Compton Bloods and Crips with OGs T. Rodgers and Michael Concepcion as our tour guides. F.E.D.S. features: The underground breeding, training, fighting and execution dens of the street's and hip-hop's official mascot, the pit bull; The hom! e and hustle spots of one of the only Harlem hustlers to ever get out of the game and live to tell about it. Told directly from the mouth of the legendary gentleman hustler himself, PeeWee Kirkland; The site of the attempted murder of F.E.D.S. founder Antoine Clark and the story of the magazine's unlikely rise to become the street's first publishing dynasty; A sneak preview of the home of legendary and present day bosses of the most notorious Jamaican Shottas, live and direct from Tivoli Gardens, Jamaica; The censors are off, the cameras are rolling and the streets are alking! Songs include: Being Lonely (Field Mob), Fly (213), Off the Wall (Skillz), Get By (Talib Kewli), Do Sumpthin? (Comp), B-More Anthem (Comp), Pushaman (Joe Budden), Safe (Scarface), In Cold Blood (Scarface), Uh Huh (Method Man), Hood Money (CNN)BUSTED - DVD MovieYou can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The p! remise, which bears a passing resemblance to any number of pre! vious fi lms (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would hav! e to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. --Sam GrahamYou can say this about "D.E.B.S.": director Angela Robinson'Äôs 2005 feature isn'Äôt very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from "Heathers" and "Clueless" to "Charlie'Äôs Angels" and the "Austin Powers" franchise), involves a secret government agency recruiting young women as spies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroin! es, Amy Bradshaw (Sara Foster), unexpectedly finds herself fal! ling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, "D.E.B.S." isn'Äôt a bad way to kill a couple of hours. DVD bonus features include a making-of featurette and commentary by Robinson and the cast. "--Sam Graham"You can say this about D.E.B.S.: director Angela Robinson’s 2005 feature isn’t very good, but it is surprisingly entertaining. The premise, which bears a passing resemblance to any number of previous films (from Heathers and Clueless to Charlie’s Angels and the Austin Powers franchise), involves a secret government agency recruiting young women as s! pies, based on their smarts, their ability to lie convincingly, and the fact that they look fetching in ultra-miniskirts. Four of the D.E.B.S. are then charged with collaring "criminal mastermind" Lucy Diamond (Jordana Brewster), who has returned to the States after hatching all manner of nefarious plots overseas. Then comes the twist: Diamond is gay, and one of our heroines, Amy Bradshaw (Sara Foster), unexpectedly finds herself falling in love with her. Out goes the espionage element; in comes the love story, and therein lies the surprise, as this burgeoning lesbian relationship is handled with unexpected sympathy, even tenderness. Sure, the acting, even by veteran grownups like Holland Taylor and Michael Clarke Duncan, is almost uniformly lame, and the script is silly; overall, the film would have to put on considerable weight to even be considered frothy. Still, D.E.B.S. isn’t a bad way to kill a couple of hours. DVD bonus features include a making-of featurett! e and commentary by Robinson and the cast. --Sam Graham! Atrend E 12D B Box Series Dual Sealed Bass Boxes (12-inch)

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The Gospel According to Jesus: What Is Authentic Faith?

  • ISBN13: 9780310287292
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.John Charles Ryle (May 10, 1816 - June 10, 1900) was an evangelical Anglican clergyman and first Bishop of Liverpool. He was renowned for his powerful preaching and extensive tracts.The author of a much-loved two-volume Matthew commentary that he revised and expanded in 2007, Frederick Dale Bruner now offers The Gospel of John: A Commentary â€" the fruit of his lifetime of study and teaching. Rather than relying mainly on recent scholarship, Bruner’s approach honors and draws from the church’s major John commentators th! roughout history, including Augustine, Chrysostom, Aquinas, Luther, Calvin, Henry, Bultmann, Barrett, and more.

Added to this “historical interpretation” is Bruner’s “contemporary interpretation,” which incorporates a clear translation of the text, references to major recent scholarship, and Bruner’s personal application of the Gospel to his own experience. Rich in biblical insights, ecumenical in tone, broadly historical, deeply theological, and lovingly written, Bruner’s Gospel of John promises to be an invaluable resource for pastors and teachers.The first edition of The Gospel According to Jesus won wide acclaim in confronting the 'easy-believism' that has characterized some aspects of evangelical Christianity. Over the past 50 years, a handful of books have become true classics, revered world-wide for their crystal-clear presentation of the Gospel and lauded for their contribution to the Christian faith. These extraordinary books are read, re-r! ead, and discussed in churches, Bible study groups, and homes ! everywhe re. John MacArthur's The Gospel According to Jesus is one of those books. In The Gospel According to Jesus, MacArthur tackles the idea of 'easy believism,' challenging Christians to re-evaluate their commitment to Christ by examining their fruits. MacArthur asks, 'What does it really mean to be saved?' He urges readers to understand that their conversion was more than a mere point in time, that, by definition, it includes a lifetime of obediently walking with Jesus as Lord. This 20th anniversary edition of MacArthur's provocative, Scripture-based book contains one new chapter and is further revised to provide Christians in the 21st century a fresh perspective on the intrinsic relationship between faith and works, clearly revealing Why Jesus is both Savior and Lord to all who believe.

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Get ready for "the mother of all comedy events" (Pat Collins, WWOR-TV/New York) as Robin Williams and Billy Crystal play a flaky writer and an uptight lawer teaming up to track down a runaway teen each thinks might be his son. Year: 1997 Director: Ivan Reitman Starring: Robin Williams, Billy Crystal, Julia Louis-DreyfusBilly Crystal plays the straight man to neurotic Robin Williams when these two very different individuals join forces to find a runaway teenager. Both, you see, have been told they are the boy's father by Nastassja Kinski, with whom each had once be! en involved. This Disney production is based on the more humorous French farce, Les Compères, by Francis Veber (who cowrote this adaptation). It has its moments as breezy entertainment, but the plot is sloppy enough to seem more like slapstick than sophisticated comedy. The gags are contrived, and it fails to unfold with believability, or grace. More interesting than the writing are the performances, as Crystal brings surprising depth to his cynical lawyer and Williams is exceptionally fine-tuned as a suicidal and dippy writer with a very kind heart. --Rochelle O'Gorman Academy Award winner Daniel Day-Lewis gives an impassioned performance in this riveting drama that mirrors one man's 15-year struggle and ultimate triumph over a terrible injustice. Oscar winner Emma Thompson co-stars in this gripping film the Los Angeles Times calls, "A politically charged 'Fugitive.'" In the Name of the Father tells the true saga of Gerry Conlon. A petty thief in strife-! torn '70s Belfast, Gerry's main interests are getting drunk an! d partyi ng, much to the dismay of his quiet, frail father Giuseppe (Pete Postlethwaite). When Gerry angers the IRA, his father sends him to England, where his antics land him in the wrong place at the wrong time. Innocent, but forced to confess to a savage terrorist bombing, he is sentenced to life imprisonment as one of the "Guildford Four." An innocent Giuseppe is also arrested and jailed, and while behind bars, Gerry slowly learns that his father's seeming weakness masks an unmatched inner strength and wisdom. Working with a fiercely dedicated lawyer (Thompson), Gerry determines to prove his innocence, clear his father's name and expose the truth behind one of the most shameful legal events in recent history.Based on a true story, this rousing and tough-minded film details British overzealousness in prosecuting an IRA bombing in the 1970s. Grabbing up a pair of small-time thieves (Daniel Day-Lewis and John Lynch) and their families, the government concocts a conspiracy ca! se against them and tosses them all in jail. Until then, Day-Lewis has been a ne'er-do-well, an apolitical goof looking for a quick score. But confronted with the toughness of his own father (Pete Postlethwaite) in the face of British torture, he begins to realize just what the stakes are. In the Name of the Father is at times grueling and never less than compelling, with a complex performance by Day-Lewis and a strong one by Emma Thompson, as the lawyer who finally cracks through the British obstructions to the truth. --Marshall FineCD06 Features: -6 piece set. -Materials: stainless steel, PP. -Overall Dimensions: 4'' H x 2'' Dia.