A Conspiracy of Silence: The Health and Death of Franklin D. Roosevelt

• ISBN13: 9780595677627
• Condition: New
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On a sunny day in July, Clare Prentice arrives in Grand Rapids, Minnesota. Although she is on assignment to interview the town's notoriously reclusive novelist Nate Hanssen, Clare is really in search of a different story-her story.Just months before, Clare was a bride-to-be, living in Chicago, and looking to the future.until the day she learned her entire life had been a lie.Not only was Clare adopted, but there is no record that she or her adoptive mother ever existed. The only clue is a class ring from Grand Rapids Senior High School. Unable to get on with her future until she reconciles her past, Clare breaks off her engagement.Unraveling the mystery is like trying to sculpt fog-until the first pie! ce of the puzzle unexpectedly drops into place: Clare's birth mother, Lily Gundersen, was murdered in Grand Rapids.Lily's murder was one of the most talked-about events in the town's history, but no one is talking now. Clare doesn't know the whole story - and someone intends to keep it that way.Ripped from todays headlines, Conspiracy of Silence is a controversial thriller that dares to ask the question: How far will the Catholic Church go to cover up its own corruption? Set in modern-day Ireland, Conspiracy of Silence begins with two seemingly unrelated events the unexpected suicide of beloved and well-respected Father Frank Sweeney, and the expulsion of idealistic young Seminary student Daniel McLaughlin. Local investigative reporter David Foley aggressively pursues the two stories, and begins to uncover a deadly secret that links both incidents and leads directly up to the highest ranks of the Church.A former U.S. Air Force intelligence officer documents a 50-year cover-! up by the U.S. government of UFO activity. While discrediting ! and disc ounting eyewitnesses accounts, the government secretly gathering information and material and outright lied to the public about what they were doing Kevin Randle tells the truth about UFOs that the authorities don't want you to know.On a sunny day in July, Clare Prentice arrives in Grand Rapids, Minnesota. Although she is on assignment to interview the town's notoriously reclusive novelist Nate Hanssen, Clare is really in search of a different story-her story.Just months before, Clare was a bride-to-be, living in Chicago, and looking to the future.until the day she learned her entire life had been a lie.Not only was Clare adopted, but there is no record that she or her adoptive mother ever existed. The only clue is a class ring from Grand Rapids Senior High School. Unable to get on with her future until she reconciles her past, Clare breaks off her engagement.Unraveling the mystery is like trying to sculpt fog-until the first piece of the puzzle unexpectedly drops into place! : Clare's birth mother, Lily Gundersen, was murdered in Grand Rapids.Lily's murder was one of the most talked-about events in the town's history, but no one is talking now. Clare doesn't know the whole story - and someone intends to keep it that way.On a sunny day in July, Clare Prentice arrives in Grand Rapids, Minnesota. Although she is on assignment to interview the town's notoriously reclusive novelist Nate Hanssen, Clare is really in search of a different story-her story.Just months before, Clare was a bride-to-be, living in Chicago, and looking to the future.until the day she learned her entire life had been a lie.Not only was Clare adopted, but there is no record that she or her adoptive mother ever existed. The only clue is a class ring from Grand Rapids Senior High School. Unable to get on with her future until she reconciles her past, Clare breaks off her engagement.Unraveling the mystery is like trying to sculpt fog-until the first piece of the puzzle unexpectedl! y drops into place: Clare's birth mother, Lily Gundersen, was ! murdered in Grand Rapids.Lily's murder was one of the most talked-about events in the town's history, but no one is talking now. Clare doesn't know the whole story - and someone intends to keep it that way.

This book reads like a detective story in its pursuit of information concerning a conspiracy associated with the physical condition of FDR and its subsequent effect on the country at that time and into the present. A search for this information led to knowledge concerning the political manipulations surrounding the nomination of Harry S. Truman for the vice presidency in 1944.

Details are presented as to how close Truman came to losing this nomination. A recently discovered secret memo now shows that FDR was aware of his deteriorating physical condition that impacted the importance of Truman’s vice presidential nomination. It was Truman’s belief that FDR personally chose him for this position, but he was led to believe that he was not FDR’s choice but became th! e vice president because of political chicanery. Truman tried unsuccessfully at a later date to disprove this belief. The book contains a host of new information regarding FDR and gives further evidence that FDR was well aware of the impending attack by the Japanese on Pearl Harbor in 1941.

A Bug's Life (Two-Disc Collector's Edition)

• Journey inside the miniature world of bugs for bigger-than-life fun and adventure under every leaf! Crawling with imaginative characters, hilarious laughs, and colorful animation, Disney and Pixar's A BUG'S LIFE will "delight everyone -- young, old, or six-legged" ("People" magazine). On behalf of "oppressed bugs everywhere" an inventive ant named Flik hires "warrior bugs" to defend his co

In an anthill with millions of inhabitants, Z 4195 is a worker ant. Feeling insignificant in a conformity system, he accidentally meets beautiful Princess Bala, who has a similar problem on the other end of the social scale. In order to meet her again, Z switches sides with his soldier friend Weaver - only to become a hero in the course of events. By this he unwillingly crosses the sinister plans of ambitious General Mandible (Bala's fiancé, by the way), who wants to divide the ant society into a superior,! strong race (soldiers) and an inferior, to-be-eliminated race (the workers). But Z and Bala, both unaware of the dangerous situation, try to leave the oppressive system by heading for Insectopia, a place where food paves the streets. --Written by Julian ReischlWoody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can ! learn. Gene Hackman is all teeth (ants have teeth?) and menaci! ng grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerAntz -- The Alliance Book 4Earth, that shining beacon of human magnificence, of human achievement, the very birthplace of mankind itself, now falls in line for Antz invasion.
I want to thank my readers. I know I'm not the best writer in the world but I strive to tell a good story. I do write a few run on sentences, I'll admit, but it's to pack as much information into each line as possible. To keep the story moving along. The story is why the reader is here. My greatest achievement is when people tell me they couldn't put my book down. They couldn't stop turning the pages because they wanted to know what was going to happen next. All the way through the book. That's my greatest achievement.

You may expect to see the next installment of this series in December (this December). All further installments will be full length, as Winter is here and I will have the time to write full time.
Thank you and enjoy.Earth, that shining beacon of human magnificence, of human achievement, the very birthplace of mankind itself, now falls in line for Antz invasion.

I want to thank my readers. I know I'm not the best writer in the w! orld but I strive to tell a good story. I do write a few run o! n senten ces, I'll admit, but it's to pack as much information into each line as possible. To keep the story moving along. The story is why the reader is here. My greatest achievement is when people tell me they couldn't put my book down. They couldn't stop turning the pages because they wanted to know what was going to happen next. All the way through the book. That's my greatest achievement.

You may expect to see the next installment of this series in December (this December). All further installments will be full length, as Winter is here and I will have the time to write full time.
Thank you and enjoy.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibilit! y must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation w! ith the smoothness and slickness of traditional cel cartoons, ! and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerBook Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by anything other than his own fellow men, but the instincts were still there.Book Two of the Antz series finds mankind being swept from his own worlds, put to flight and scattered like cosmic dust. The Fleet has been routed. They can't stand toe to toe with the enemy. The only hope is that mankind can hold her worlds, but they will have to be held from the ground, and they were on their own. It has been a long time since man has been hunted by a! nything other than his own fellow men, but the instincts were still there.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a difference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist ! an epic adventure of microscopic proportions: a devastating wa! r with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but feels as solid and contoured as puppet animation with the smoothness and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerA funny children's (& adult) cartoon movie.Woody Allen as a worker ant with an inferiority complex? Sylvester Stallone as an affable soldier ant who discovers that digging tunnels is cool? The animation playground we all knew so well is turning into a theme park full of in-jokes for grownups. Antz explores age-old topics (one person--err, insect--can make a dif! ference, individuality and social responsibility must exist side by side, war is hell) with comic asides and Woody Allen's funniest quips this side of PG (adults will chuckle at the socialist slogans bandied about as he campaigns for workers' rights). Sharon Stone voices the rebellious princess with a fun-loving streak that doesn't quite overcome her royal bearing and court training, but she can learn. Gene Hackman is all teeth (ants have teeth?) and menacing grins as the Army general plotting insect-icide. This bug's-eye view of life on Earth gives Allen's neurotic nonconformist an epic adventure of microscopic proportions: a devastating war with a termite colony, an odyssey to the fabled land of plenty (a picnic ground), and a race to save his fellow workers from certain death. Other voices include Anne Bancroft as the Queen, Christopher Walken, Jennifer Lopez, Danny Glover, Dan Aykroyd, Jane Curtin, and John Mahoney. The computer animation isn't exactly realistic but fee! ls as solid and contoured as puppet animation with the smoothn! ess and slickness of traditional cel cartoons, and the character designs and animation offer a marvelous range of expressions. The PG rating includes a gritty battle sequence that may frighten youngsters. --Sean AxmakerAntz Four - The Alliance
61,000 words (nearly twice the length of Book 3).Antz Four - The Alliance
61,000 words (nearly twice the length of Book 3).Journey inside the world of bugs in this epic of miniature proportions. Crawling with imaginative characters, hilarious laughs, and colorful animation, Walt Disney Pictures Presentation of A Pixar Animation Studios Film, A BUG'S LIFE, will "delight everyone -- young, old, or six-legged." (People Magazine) In this 2-disc set you'll step behind the scenes for a look at the innovation and teamwork that resulted in this ingenious film. Loaded with bonus features â€" including animation not seen in theaters, abandoned sequences, and multiple surprises â€" A BUG'S LIFE COLLECTOR'S EDITION offers something for ever! yone from families to film lovers!There was such a magic on the screen in 1995 when the people at Pixar came up with the first fully computer-animated film, Toy Story. Their second feature film, A Bug's Life, may miss the bull's-eye but Pixar's target is so lofty, it's hard to find the film anything less than irresistible.

Brighter and more colorful than the other animated insect movie of 1998 (Antz), A Bug's Life is the sweetly told story of Flik (voiced by David Foley), an ant searching for better ways to be a bug. His colony unfortunately revolves around feeding and fearing the local grasshoppers (lead by Hopper, voiced with gleeful menace by Kevin Spacey). When Flik accidentally destroys the seasonal food supply for the grasshoppers he decides to look for help ("We need bigger bugs!"). The ants, led by Princess Atta (Julia Louis-Dreyfus), are eager to dispose of the troublesome Flik. Yet he finds help--a hearty bunch of bug warrio! rs--and brings them back to the colony. Unfortunately they are! just tr aveling performers afraid of conflict.

As with Toy Story, the ensemble of creatures and voices is remarkable and often inspired. Highlights include wiseacre comedian Denis Leary as an un-ladylike ladybug, Joe Ranft as the German-accented caterpillar, David Hyde Pierce as a stick bug, and Michael McShane as a pair of unintelligible pillbugs. The scene-stealer is Atta's squeaky-voiced sister, baby Dot (Hayden Panettiere), who has a big sweet spot for Flik.

More gentle and kid-friendly than Antz, A Bug Life's still has some good suspense and a wonderful demise of the villain. However, the film--a giant worldwide hit--will be remembered for its most creative touch: "outtakes" over the end credits à la many live-action comedy films. These dozen or so scenes (both "editions" of outtakes are contained here) are brilliant and deserve a special place in film history right along with 1998's other most talked-about sequence: the opening Normandy in! vasion in Saving Private Ryan.

The video also contains Pixar's delightful Oscar-winning short, Geri's Game. Box art varies. --Doug Thomas

Flow How did a handful of corporations steal our water

• Irena Salina s award-winning documentary investigation into what experts label the most important political and environmental issue of the 21st Century - The World Water Crisis. Salina builds a case against the growing privatization of the world s dwindling fresh water supply with a focus on politics, pollution, human rights, and the emergence of a domineering world water cartel. Interviews with s

FLOW - DVD Movie

And Now Ladies & Gentlemen - Jeremy Irons & Patricia Kaas - Movie Poster 27" X 40"

• And Now Ladies & Gentlemen
• Jeremy Irons & Patricia Kaas
• Movie Poster
• 27" X 40"

Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaas (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The movie's all over the place, and it spins its wheels for the final half-hour, but there are cert! ain kinds of romantics who will find this sort of thing irresistible. --Robert HortonA Claude Lelouch Film Widescreen CollectionLadies and Gentlemen… The Rolling Stones finally comes to DVD. This legendary Rolling Stones concert film, shot over four nights in Texas during the "Exile ON Main Street" tour in 1972, was released in cinemas for limited engagements in 1974 and has remained largely unseen since. Now, restored and remastered, Ladies and Gentlemen makes its first authorized appearance on DVD. This is one of the finest Rolling Stones concerts ever captured on film and features outstanding performances of classic tracks from the late '60s and early '70s. Claude Lelouch may never be the most profound director in the world, but he sure knows how to whip up a catchy distraction. And Now Ladies & Gentlemen finds Lelouch in a skippy, unpredictable mode. Jeremy Irons, who seems to be enjoying himself enormously, is a thief who sets out on a sailing voyage, only to fetch up in Morocco after he blacks out at the helm. There he meets sultry singer Patricia Kaa! s (her first acting role); it turns out they both might have brain tumors. Did someone say this is a romantic comedy? It is, complete with musical numbers (Kaas glides through a cozy cross-section of French pop music, including the theme from A Man and a Woman, Lelouch's '60s smash). The movie's all over the place, and it spins its wheels for the final half-hour, but there are certain kinds of romantics who will find this sort of thing irresistible. --Robert HortonAND NOW LADIES & GENTLEMEN - MOVIE POSTER PARAMOUNT CLASSICS Presents an ANGLO-FRENCH co-production LES FILMS 13 GEMKA FRANCE 2 CINEMA L&G PRODUCTIONS LIMITED. Starring Jeremy Irons & Patricia Kaas. Director: CLAUDE LELOUCH. 2003 By Paramount Classics. Measures 27" X 40" BRAND NEW!!!!

17 Again

• Condition: New
• Format: DVD
• Color; Full Screen; Widescreen; Subtitled; NTSC

A small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother and a stanford scholarship. His bright future is cut short when tragedy strikes and takes his dreams with it. Studio: Uni Dist Corp. (mca) Release Date: 11/09/2010 Starring: Zac Efron Ray Liotta Run time: 100 minutes Rating: Pg13 Director: Burr SteersTeen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows signs of being a terrific young actor, with nuanced skills that have perhaps been overlooked until now! , because of his appealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they put their hearts into the sad, yet ultimately uplifting story. Young Charli! e Tahan is winsome as Charlie's younger brother, Sam. Kim Basi! nger, to o long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages will enjoy watching the young actor begin the process of growing up--just a bit--onscreen. --A.T. Hu! rleyZac Efron stars as Charlie St. Cloud, a small-town hero and an accomplished sailor who has it all: the adoration of his mother and younger brother, and a Stanford scholarship. His bright future is cut short when tragedy strikes, taking his dreams with it. Now Charlie is torn between honoring a promise he made years ago and pursuing his newfound love with a former high-school classmate. Based on the acclaimed bestseller, comes a story of hope, second chances and the transformative power of love, also starring Ray Liotta and Academy Award® winner Kim Basinger.Teen heartthrob Zac Efron (High School Musical, 17 Again) makes an appealing, and wise, choice as the star of Charlie St. Cloud. Efron is able to flex his dramatic acting abilities and can stretch, ever so slightly, into a more adult role, without alienating or being off-putting to his dedicated young fans. And Efron shows signs of being a terrific young actor, with nuanced skills ! that have perhaps been overlooked until now, because of his ap! pealing pinup-boy looks. Efron is delicious eye candy in Charlie St. Cloud, no question (though he has to share some of that role with the beautiful British Columbia coastline where the film is set), but he also carries the entire film, which manages to be family drama, tragedy, adventure, and budding love story--with a good dose of "live your life to the fullest" advice built in. Efron plays the title character, a gifted student and sailor who gets a full scholarship to Stanford. But right after graduation, Charlie is involved in a life-changing tragedy--one that shatters his family and his own sense of his place in the world. Efron's Charlie is a lost young man, dedicated to the aftereffects of the tragic accident, and turns from promising young upstart to pitiable recluse--so reclusive that he lives and works at the local graveyard. The entire cast is wonderful, and they put their hearts into the sad, yet ultimately uplifting story. Young Charlie Tahan is winsome as Charli! e's younger brother, Sam. Kim Basinger, too long away from the big screen, is grounded and believable as the boys' hard-working single mom. Ray Liotta plays a memorable cameo as a paramedic who helps save Charlie after the accident. And Amanda Crew is spunky and adorable as the independent young sailor with a secret crush on Charlie--the "old" Charlie, who was still interested in embracing life--and with possibly the only lifeline that Charlie might actually grab. The chemistry between Efron and Crew is sparkly, and Efron fans will enjoy seeing their idol in more mature love scenes. But not too mature--the raciest of the romance scenes involves Efron (not Crew) taking off his shirt--to fans' delight. If Charlie St. Cloud isn't too original in its plotting, nor especially crisp in its direction, it doesn't matter--Efron's screen appeal is plenty to propel both the story and the action. Efron fans of all ages will enjoy watching the young actor begin the process of gro! wing up--just a bit--onscreen. --A.T. HurleyIn a snug N! ew Engla nd fishing village, Charlie St. Cloud tends the lawns and monuments of an ancient cemetery where his younger brother, Sam, is buried. After surviving the car accident that claimed his brother's life, Charlie is graced with an extraordinary gift: He can see, talk to, and even play catch with Sam's spirit. Into this magical world comes Tess Carroll, a captivating woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that propels her into Charlie's life. Their beautiful and uncommon connection leads to a race against time and a choice between death and life, between the past and the future, between holding on and letting go â€" and the discovery that miracles can happen if we simply open our hearts.Questions for Ben Sherwood About Charlie St. Cloud

Q: Did you always imagine your book becoming a movie?
A: In a word...no. I quit a great job at NBC News in New York to write this book. It was a risky career move. I wish I could say the road was easy, but it wasn’t. There were major creative challenges and serious professional setbacks. Indeed, the route from blank page to the finished book might well be described as a near-death publishing experience. Perhaps that’s why I never really imagined this book becoming a movie. Indeed, the very idea of a film adaptation seemed farfetched. As one of my close friends always said: "I’ll believe Charlie St. Cloud is a movie when I’m sitting in the theater and eating popcorn."

Q: How involved were you with the movie and did you write the screenplay?
A: The producers and studio were generous to include me at many stages of the process but I wasn’t involved with the movie or screenpla! y. I was fortunate to visit the production twice, once on loc! ation in a cemetery and another time on a soundstage in Vancouver. Each time, I relished how filmmakers turned some of the book’s tiniest details into movie reality. For instance, Major League Baseball sent three small Red Sox mitts for Sam to use when he played catch with Charlie. I watched an assistant prop master carry a brand-new red mitt around all day, rubbing it constantly to give it a well-worn appearance.

On another occasion, the director showed me the closing shot of the film. Today, words still fail to describe the exhilarating experience of seeing Charlie and Tess literally sailing into the sunset. Seven years earlier, in the quiet of my little writing room, I had imagined these two young people on a boat aimed at the open ocean. Suddenly, they were on the screen, leaning into each other with wind tousling their hair and sails, steering a Gryphon Solo, one of the world’s fastest fifty-foot sailboats, filmed by a came! ra mounted on a helicopter hovering above.

Q: How does it feel to see your book turned into a movie?
A: Quite simply, I’m filled with gratitude. To create the movie version of Charlie St. Cloud, it took 28 actors, 34 stunt people, and some 250 crew. When I visited the set in Vancouver, I tried my best to thank every single one, including the wrangler responsible for a noisy flock of geese, the messy bane of Charlie’s existence.

When I called my wife in Los Angeles, she asked, "How does it feel?" I thought for a moment. Then I answered: "I want to hug every person I meet."

Q: Did you imagine Zac Efron as Charlie St. Cloud?
A: In candor, I never imagined Zac Efron in the role of Charlie. Wrecked by loss and grief, Charlie was a character who had wasted many years of his precious life. I always imagined Charlie as much older and much sadder. Thank goodness I’m not ! a movie producer.

I salute the studio and produce! rs for r ealizing that Efron was a perfect choice. Young, dynamic, and charismatic, he embodies the promise of Charlie St. Cloud without the burden and loss. With Efron’s vibrant presence and performance, a sometimes weighty story feels more hopeful and uplifting. As I told Efron when we met in the cemetery in Vancouver, I’m delighted and very thankful that he took the part and filled it with vitality.

Q: How do you feel about the movie being made in Vancouver, Canada instead of Marblehead, Massachussetts, where the novel takes place?
A: I love Marblehead and the people of the town. While researching the book, I traveled to Marblehead several times to walk among the tombstones in Waterside Cemetery, eat breakfast with fishermen at the Driftwood before dawn, drink beers with 'Headers at Maddie's, and compete in my first and only sailboat race.

Vancouver is a country away from the wonderful town where I situated! the story. But a movie adaptation isn't supposed to be a literal translation of a book. It's an interpretation. While I sincerely hoped that the film would be made in Massachusetts--and while the filmmakers tried their best too--I understood the financial decision to pick Canada, where production costs are significantly lower.

Given this choice, the filmmakers did a great job transplanting Charlie and Sam's story to the Pacific Northwest, which looks absolutely spectacular on film.

Q: Your writing seems to focus on questions of life and death. Why?
A: Maybe it's my age or life experience but I've spent a lot of time thinking about how we overcome grief and loss and make the most of our time on earth. These are subjects that have come to occupy my recent work. Over the last few years, I wrote a nonfiction book called The Survivors Club, exploring the secrets and science of the world’s most! effective survivors and thrivers. Interviewing survivors! around the world, I discovered even more proof that love is a powerful and universal survival tool. In my own life, falling in love with my future wife, Karen, helped unlock the stranglehold of my father’s sudden and untimely death 17 years ago. (That’s why I dedicated the book to both of them.) In Charlie's case, discovering Tess helped him break free of the cemetery and the suffocating grip of grief.

Q: You have two young sons. What do you hope they take away from this book some day?
A: When I was leaving the movie set in Vancouver to fly home to Los Angeles, one of the producers generously asked if I wanted a souvenir from the production. I asked for one of Sam’s red mitts from Major League Baseball. Our two young boys can play catch with it. Then some day when they outgrow it, the glove can sit in my office, a reminder of the power of brotherly love and what happens when you take risks, seize life, and set your! imagination free.

---

Charlie St. Cloud has been given the gift of seeing his deceased brother, but when a new love interest is in trouble he must choose between saving a life or continuing to see his brother everyday. Director: Burr Steers Writers: Craig Pearce (screenplay), Lewis Colick (screenplay), and 1 more credit » Stars: Zac Efron, Kim Basinger and Charlie TahanStudio: New Line Home Video Release Date: 08/11/2009 Run time: 102 minutes Rating: Pg13Zac Efron breaks free of his High School Musical legacy with 17 Again, leading a pack of fine comic actors in a body-switching comedy that freshens the genre with good ideas. Efron plays Mike, a high-school basketball star who blows a college scholarship in 1989 to marry his sweetheart. Cut to 2009, and late-30s Mike (Matthew Perry) is a sour guy passed over for a promotion and feeling estranged from that wife, Scarlett (Leslie Mann), and teen kids (Michelle Trachtenberg, Sterling Knight). Magical intervention causes Mike to turn 17 once more--albeit in the present--and tackle his failures with a fresh start. As the hot new kid in his children's high school, Mike proves a better father to them as their peer than as a man, while Scarlett sees in him everything that attracted her to her husband two decades before. Writer Jason ! Filardi and director Burr Steers demonstrate an imaginative and supple wit in such half-expected scenes as Mike's confrontations with a school bully and his unsuspecting daughter's flirtations with him. But it's Efron who carries some truly delicate moments and proves to be genuinely sympathetic when emotions get thick and heavy. Thomas Lennon is also entertaining as a wealthy Star Wars nerd who pretends to be Mike's father, but his slightly excessive screen time suggests the filmmakers weren't entirely sure Efron could do what needed to be done. If so, they were mistaken. --Tom Keogh

The Bachelors of Broken Hill: An Inspector Napoleon Bonaparte Mystery

• ISBN13: 9780684850580
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Born and raised on an Australian sheep ranch, Tommy (Luke Arnold) dreams of becoming a great musician. Everything changes, though, when his antics to impress his beautiful classmate Kat (Alexa Vega) backfire and land them both in trouble. But after auditioning for an elite music academy, Tommy is given the second chance he needs to win Kat’s affection, his father’s approval and the opportunity of a lifetime.

Bonus Feature:
Audio commentary with Writer / Director Dagen Merrill, Producer Chris Wyatt and Alexa Vega.A handsome high-school senior aspires to become a classical composer in this tuneful drama. Tommy (Luke Arnold, who recalls Venezuelan conductor Gustavo Dudamel) lives on an Australian! sheep ranch with his widowed father, George (Timothy Hutton), a stern soccer coach, and nurses a crush on exchange student Kat (Alexa Vega, Spy Kids), who barely knows he exists. One night, Tommy and George come across escaped convict Kalae (Che Timmons) on their drive home. They turn the unconscious man over to the police, and get on with their lives. Later, when Kat finds out that Tommy has access to a truck, she convinces him to chauffeur her around during a night of vandalism, which lands him in jail, where he reconnects with Kalae, who tells him about a prison choir. Upon Tommy's release, he convinces Kat to help him form a convict band in order to fulfill their community service requirement and to facilitate his entrance into Sydney's prestigious Music Conservatorium. At first, the inexperienced duo attract only two participants, but other inmates eventually materialize, and as their repertoire takes shape, Kat's hard shell softens. Unfortunately, Tommy has to! cancel their performance at Broken Hill when a prisoner goes ! missing, but Kat and the other players convince him to try again. The conclusion feels more like wish fulfillment than a realistic outcome, but director Dagen Merrill does depict Tommy's daydreams at times, so it seems rather fitting. Extra features include commentary from Merrill, producer Chris Wyatt, and a sleepy Vega. --Kathleen C. FennessySet in 1897, a man and his nephew are trying to deliver a herd of horses when they become the reluctant guardians of five abandoned Chinese girls.
Genre: Television
Rating: NR
Release Date: 30-JAN-2007
Media Type: DVDThe lives of two stoic cowboys and five abused Chinese women become intertwined in Walter Hill's sprawling miniseries Broken Trail. Print Ritter (Academy Award winner Robert Duvall) and his nephew Tom Harte (Thomas Haden Church, Sideways) agree to deliver a herd of 500 horses from Oregon to Wyoming. Along the way, they rescue the young women--most of them still just girl! s--who're being transported to a brothel to have their virginity auctioned off. When the madam sees she is about to lose the girls, she screams at Tom, "What about my property?" He shouts back, "That's the price of being a capitalist, lady." Unable to overcome the language barrier, Print assigns numbers to the girls. Number 3, Sun Foy (Gwendoline Yeo, Desperate Housewives) is the most fearless and perceptive of them. Though the others don't want to be called Number 4--an unlucky numeral in their homeland--Ye Fung (Olivia Cheng), the most tragic of the group, doesn't care. Targeted for her beauty, she finds herself unable to overcome the trauma. The number suits her, in her mind. Along the way, Print and Tom rescue Nola Johns (Greta Scacchi), the proverbial hooker with the heat of gold, who was forced into prostitution after her husband died.

The cinematography is gorgeous as the camera sweeps over the lush landscape (the Canadian Rockies subbing in for wild West ! of the late 1800s) and Hill does a formidable job of pacing th! is 3-hou r drama with just the right balance of dialogue and action. For Duvall, Broken Trail is the last piece to his Western trilogy, which started with the miniseries Lonesome Dove followed by the feature film Open Range. He is instantly likeable as a father figure and the viewer never doubts that his intention for the girls is honorable. As for Haden Church, he has never been as appealing as he is in this role. Gruff and flawed, he softens when he exchanges shy glances with Sun Foy. The trek is long and hard and the unlikely band of travelers will face much hardship. If not as satisfying as the rich, detailed Lonesome Dove, Broken Trail makes up for it with a wonderful storyline and some fine acting by all involved. As for the conclusion, it may surprise some viewers who are expecting a more traditional version of the happy ending. --Jae-Ha KimA string of bizarre murders shares common elements: all the victims are elderly bachelors and th! ere is always a woman nearby at the time of the deaths. When the witnesses' descriptions of the woman vary widely, half-Aborigine detective Napoleon Bonaparte ("Bony") finds himself calling on a professional burglar and an amateur sketch artist for help.

From Dusk Till Dawn 3- The Hangman's Daughter Framed Poster Print, 31x45

• Framed Poster Title: From Dusk Till Dawn 3- The Hangman's Daughter
• Size: 31 x 45 inches

FROM DUSK TILL DAWN
After kidnapping a father and his two kids, the Gecko brothers (George Clooney and Quentin Tarantino) head south to a seedy Mexican bar to hide out in safety. But when they face the bar's truly notorious clientele, they re forced to team up with their hostages in order to make it out alive.

FULL-TILT BOOGIE
Go behind the scenes of the Robert Rodriguez cult classic, From Dusk Till Dawn, with this brilliant documentary. See just what it's like to be on set with stars Quentin Tarantino, George Clooney, Harvey Keitel and Juliette Lewis as they bring their characters to life on the big screen.

FROM DUSK TILL DAWN2: TEXAS BLOOD MONEY
A bank-robbing gang of misfits heads to Mexico ! with the blueprints for the perfect million-dollar heist. But when one of the crooks wanders into the wrong bar, and crosses the wrong vampire, the thieving cohorts develop a thirst for blood to match their hunger for money.

FROM DUSK TILL DAWN3: THE HANGMAN'S DAUGHTER
Outlaw Johnny Madrid is on the run from the hangman...with the hangman's sensuous daughter Esmeralda by his side. Along with Madrid's gang, Johnny and Esmeralda embark on an adventure that leads them straight into the fight of their lives.The latest bone-chilling installment of FROM DUSK TILL DAWN reveals how this frightening saga all began! Narrowly escaping death, outlaw Johnny Madrid (Marco Leonardi -- LIKE WATER FOR CHOCOLATE) is on the run from the hangman (Temuera Morrison -- SIX DAYS, SEVEN NIGHTS) ... with the hangman's sensuous daughter Esmeralda by his side! Along with Madrid's gang, Johnny and Esmeralda embark on an adventure filled with colorful and unsavory characters w! ho lead them straight into the fight of their lives! Also feat! uring Da nny Trejo (CON AIR), Rebecca Gayheart (SCREAM 2), and Michael Parks (FROM DUSK TILL DAWN 1&2) -- you won't want to miss a minute of epic confrontation that results in Esmeralda's discovery of her secret birthright!The latest bone-chilling installment of From Dusk Till Dawn reveals how this frightening saga all began. Narrowly escaping death, outlaw Johnny Madrid is on the run from the hangman...with the hangman's sensuous daughter Esmeralda by his side. Along with Madrid's gang, Johnny and Esmeralda embark on an adventure filled with colorful and unsavory characters who lead them straight into the fight of their lives. Also featuring Danny Trejo (Machete) and Rebecca Gayheart (Jawbreaker).The latest bone-chilling installment of From Dusk Till Dawn reveals how this frightening saga all began. Narrowly escaping death, outlaw Johnny Madrid is on the run from the hangman...with the hangman's sensuous daughter Esmeralda by his side. Along! with Madrid's gang, Johnny and Esmeralda embark on an adventure filled with colorful and unsavory characters who lead them straight into the fight of their lives. Also featuring Danny Trejo (Machete) and Rebecca Gayheart (Jawbreaker).

Brighten up any space with high quality framed and ready to hang posters. From Dusk Till Dawn 3- The Hangman's Daughter is just one that helps you create effortless style and adds character to any room.

Charlie Bartlett : Widescreen Edition

• Widescreen

The kids at Western Summit High have "issues," and newcomer Charlie Bartlett is coming to their rescue. With a briefcase full of prescription pills and a head full of pop psychology, this rebel with a cause brings hilarious help to the student body and unending grief to their neurotic principal, Mr. Gardner (Robert Downey, Jr.). Suddenly, Charlie is the hottest man on campus and he's even caught the eye of Gardner's sultry daughter. An outrageous send-up of today's Prozac generation, Charlie Bartlett has your prescription for laugh-out-loud insanity!The ghost of Ferris Bueller haunts Charlie Bartlett. In John Hughes' classic comedy, a wily principal chases a clever student all over Chicago. In editor-turned-director Jon Poll's darker-hued enterprise, the hero of the title (Huff's preternaturally poised Anton Yelchin) gets kicked out of private school for selling fake IDs, so! his heavily-medicated mother (a reliably excellent Hope Davis) transfers her son to a public institution. Looking like a junior stockbroker in navy blazer and attaché case, he turns into a bully piñata, until he joins forces with surly dealer Murphey (Walk the Line’s Tyler Hilton) to sell prescription medication and split the profits (Charlie secures the meds from an assortment of pill-pushing psychiatrists). By listening to their problems and offering well-researched advice, the unlicensed doc becomes the most popular kid on campus. He even captures the interest of self-possessed drama queen Susan (The 40-Year-Old Virgin’s Kat Dennings), daughter of booze-soaked Principal Gardner (Robert Downey Jr. in top form). Gardner doesn't trust Charlie, but lacks the evidence to confirm his suspicions--so he sets out to secure some. Once he installs surveillance cameras, the game is on. By the end, the two competitors will have both lost... and won. Aside from Ferris Bueller's Day Off, Charlie Bartlett recalls! Wes And erson's Rushmore, except Poll's Gustin Nash-penned satire trades counter-cultural cool for trenchant commentary about quick-fix solutions to deep-seated dilemmas. That means fewer laughs than its forerunners, but Charlie Bartlett presents a more penetrating analysis of today’s generation gap. --Kathleen C. Fennessy

Beyond Charlie Bartlett

More "School Days" Comedies

The Charlie Bartlett Soundtrack

More from MGM

!
Stills from Charlie Bartlett

Specs: Audio: English: 5.1 Dolby Surround
Language: Dubbed: English
Theatrical Aspect Ratio: Disc 1: Fullscreen 1.33:1, Disc 2 & 3: Widescreen:! 1.85:1, Disc 4: Widescreen: 2.35:1
Episodes-Bonus Featu! res:

• Disc 1 Side A: Charlie Bartlett
• Disc 1 Side B: Charlie Bartlett
• Disc 2: Back to School
• Disc 3: Home for the Holidays
• Disc 4 Side A: Richard III
• Disc 4 Side B: Richard III

Nick and Norah's Infinite Playlist is a comedy about two people thrust together for one hilarious, sleepless night of adventure in a world of mix tapes, late-night living, and, live, loud music. Nick (Michael Cera) frequents New York's indie rock scene nursing a broken heart and a vague ability to play the bass. Norah (Kat Dennings) is questioning pretty much all of her assumptions about the world. Though they have nothing in common except for their taste in music, their chance encounter leads to an all-night quest to find a legendary band's secret show and ends up becoming the first date in a romance that could change both their lives.In the big-screen version of Rachel Cohn and David Levithan's popular young adult novel, two! high-school seniors fall in love over the course of one eventful evening. A straight bass player in a queercore band, Nick (Juno's Michael Cera) has just been dumped by the two-timing Tris (Alexis Dziena). He's committed to making more self-pitying mix CDs until his bandmates convince him to help track down a top-secret rock concert. Meanwhile, Norah (Charlie Bartlett's Kat Dennings) and her hard-partying pal, Caroline (Ari Graynor), set off on the same journey. Nora had never met Nick, but she already had a crush on him (While attending the same school as Tris, she's been enjoying the mixes Nick keeps making--and Tris keeps throwing away). When the inebriated Caroline goes missing, they spend the rest of the night racing around the Lower East Side in his Yugo looking for the friend, the show, and trying to avoid Tris (Norah's ex-boyfriend, Tal (Tropic Thunder's Jay Baruchel), presents further complications). Peter Sollett's follow-up to Rais! ing Victor Vargas aims to please several audiences at onc! e. It st arts out like a less dirty-minded Superbad, morphs into a post-millennial After Hours, and ends as a Big Apple take on Before Sunset. It's sweet and funny, but could use more of its own identity, though Cera and Dennings make for an appealing couple and the supporting performers, especially Graynor and Kevin Corrigan in a wordless cameo, enhance the proceedings considerably. --Kathleen C. Fennessy

Stills from Nick & Norah's Infinate Playlist (click for larger image)

More Nick & Norah's Infinate Playlist

Paperback Book

Soundtrack CD

Seventeen-year-old Caroline Wexler (KAT DENNINGS) is facing a teenager's nightmare: her widowed father has moved them from the city to a tiny, nowhere town. When Caroline realizes she has nothing in common with the permanently stoned kids that populate her new school, she pursues the one person she connects with -- her handsome young teacher, Mr. Anderson (JOSH LUCAS). A bizarre love triangle ensues between Caroline, Mr. Anderson, and a stoner classmate (REECE THOMPSON). A mash up of genres and tones, Daydream Nation is a coming of age story for the 21st century.Daydream Nation is an independent, quirky, vaguely creepy film that will keep the viewer guessing. Writer-director Michael Goldbach has created unexpected layers to the story of a big-city girl who moves to a small town! and stirs up trouble because she's bored--and is then caught in the awful consequences. The cast is terrific, including Kat Dennings as Caroline, the high schooler so bored she begins an affair with her teacher (Mr. A, played by Josh Lucas, also terrific). Meanwhile Reece Thompson, as fellow teen Thurston, creates the final piece of the love triangle that spells trouble with a capital T. Andie MacDowell plays Thurston's mom, and is a standout; her performance is reminiscent of Cloris Leachman's in The Last Picture Show. Daydream Nation is offbeat in the manner of Juno, Donnie Darko, or Jim Jarmusch's or David Lynch's weirdest work. "For a while there, it seemed liked craziness was in the air," Caroline narrates in a voice-over. "And we were all just… breathing it in." If some of the plot twists aren't completely believable, the performances and the assured direction still make Daydream Nation a very watchable, engaging experience! --a creative antidote to formulaic films and one that lovers o! f indepe ndent film will enjoy. --A.T. HurleyWRISTCUTTERS:LOVE STORY - DVD MovieThe world might have many people unhappy enough to commit suicide. But the quirky and imaginative Wristcutters: A Love Story suggests there’s a special place beyond this one for those who take their own lives, and it isn’t very pretty. Not that anything particularly bad takes place; it’s just that not very much happens at all. Director Goran Dukic, adapting a short story by Etgar Keret, presents an afterlife for those who kill themselves that looks pretty dreary, full of broken-down cars rotting on roadsides, roommates obsessed with cottage cheese, cops who don’t inspire a lot of confidence, and messianic losers promising paradise if only the dead, well, commit suicide all over again. Into the mucky mediocrity comes Zia (Patrick Fugit), a nice young man who opens his veins and ends up in this limbo for losers. There, he takes a menial job, finds an unlikely friend in Eugene (Shea Whi! gham), a laconic Russian rocker, and meets apathetic girls in a lousy bar. The monotony of it all is broken up, finally, when Zia gets word that his girlfriend back on the mortal plane also killed herself, prompting him to take Eugene on the road in search of her. Naturally, the trip becomes a journey in unexpected new directions and new hope (particularly when a comely hitchhiker, played by Shannyn Sossamon, jumps aboard), though a diversion at a camp for miracles run by an eccentric (Tom Waits) adds a lot of color. Full of low-key wit and intentionally low-rent surprises, Wristcutters is a vision of the persistence of the human heart even in the most somber circumstances. --Tom KeoghDVD

Capitalism: A Love Story

• In presenting a fireball of a movie that might change your life (Peter Travers, Rolling Stone), Moore skewers both major political parties (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has dug up some astonishing dirt (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and e

In presenting a “fireball of a movie that might change your life” (Peter Travers, Rolling Stone), Moore “skewers both major political parties” (Claudia Puig, USA Today) for selling out the millions of people devastated by loss of homes and jobs to the interests of fat cat capitalists. Moore has “dug up some astonishing dirt” (Brian D. Johnson, Macleans), stories told in the faces of the foreclosed and evicted, in the food stamps received by hungry airline pilots, and in the courage of fi! red factory workers who refuse to go quietly. But more than a cry of despair, Moore’s film raises the possibility of hope. Capitalism: A Love Story is “The most American of films since the populist cinema of Frank Capra (It’s a Wonderful Life)” (Dan Siegel, Huffington Post ), “a movie that manages shrewdly, even brilliantly, to capitalize on the populist anger that has been sweeping the nation” (Joe Morgenstern, Wall Street Journal ). Capitalism: A Love Story is loaded with over 90 minutes of hilarious extended and deleted scenes, as well as exciting and informative featurettes profiling Americans and American businesses!Michael Moore's didactic documentary style is actually a source of inspiration in Capitalism: A Love Story. This film, which explores the history of incongruence between American capitalism and democracy, is evidently a culmination of Moore's lifetime of research into this topic: he begins the movie by admitting his longstanding interes! t, rooted in childhood experiences in Flint, Michigan. As a re! sult, th e film displays an expertise that is less irritating than in Moore's earlier works, in which various loopholes can be found in one-sided presentations (see Bowling for Columbine). Here Moore employs his trademark tactics to make a satirical documentary that functions as a film-based, grassroots political strategy meant to provoke revolt. Consisting of patched-together clips from various eras and media outlets, the film weaves a narrative that underscores Moore's argument that while America is a success because of its democracy, it has been denigrated by capitalism, which he calls "a system of taking and giving, mostly taking." Capitalism: A Love Story is a patriotic call to arms that seeks to ignite rage in the viewer who is tired of political stupidity resulting in poverty and hardship among a dwindling middle class. It begins by tracing the growing gap between the rich and poor, from the Depression through the 1950s "free enterprise" boom. Using clips of ! FDR and Jimmy Carter warning against greed and inequality, Moore shows how gradually Americans came to accept Reaganomics, corporate corruption, then Bush-era swindling over time. This history serves as context for his explanation of the housing crisis, the collapse of banks, and Bush's covert, last-ditch efforts to pass sketchy bills on the cusp of Obama's election. Moore asks several lawyers, senators, and bankers, "What the **** happened?" and each offers intelligent assessments of situations that many American viewers still struggle to comprehend. Unfortunately, there are corny Moore moments throughout the film, such as when he takes an armored truck to various banking headquarters and harasses security guards to let him in to reclaim money stolen from the American public. Clips of Bush dancing juxtaposed with shots of people crying because they've lost their homes are melodramatic and only weaken Moore's arguments. Like Robin Hood, Moore seeks justice, but his greatest! strength is as a translator between those speaking a complex ! politica l language and his viewers. Capitalism: A Love Story, while it does have a condescending tone throughout, does much to relay a complicated history that we all need to know for the sake of our own empowerment. --Trinie Dalton

Stills from Capitalism: A Love Story (Click for larger image)

Dark Blue Crystal Fireball and Faceted Hematite Shamballa Bracelet

• Bracelet is adjustable
• Made in China

LAPD Lt. Carter Shaw (Dylan McDermott) and his special undercover task force understand that to collar criminals, one must first get on their level. They also know that going undercover may require cutting ties with those who mean the most. Adrift, isolated and frequently faced with situations that strain the line between right and wrong, these officers know that all that matters is loyalty to each other and to the task at hand: bringing down the bad guys.
From Jerry Bruckheimer Television (the CSI Trilogy, Without a Trace, Cold Case) comes another edgy and atmospheric series about dedicated law enforcers operating in the shadows and leading double lives. Omari Hardwick, Logan Marshall-Green and Nicki Aycox also star. This 4-Disc, 10-Episode Season One Collection of their edge-of-your-seat investigations will take you to the edge of darkness -! and beyond.

This product is manufactured on demand using DVD-R recordable media. Amazon.com's standard return policy will apply.

Set during the tense times of the LA riots, the film tells the story of Eldon Perry, veteran officer of the Los Angeles Police's special investigation squad as he tutors a new police officer who comes to learn the depth of corruption in his own police department.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 23-DEC-2003
Media Type: DVDThe Rodney King riots of April 1992 hang like a keg of dynamite over Dark Blue, a crackling tale of Los Angeles police corruption that gives Kurt Russell one of the best roles of his underrated career. Adapted by Training Day screenwriter David Ayer from a story by L.A. Confidential novelist James Ellroy, the plot finds Russell's rule-bending detective teamed with a promising young partner (Scott Speedman) whose ethics have! yet to be tainted. Their boss (Brendan Gleeson) is a lawless ! maverick , maneuvering the unwitting detectives into covering up a lucrative robbery scam, while L.A.P.D.'s Deputy Chief (Ving Rhames) campaigns to bring them all down. While adhering to familiar cop-thriller formula, director Ron Shelton (Bull Durham) escalates tension with forceful impact, drawing a climactic parallel between the King riots and the fallout from Russell's cynical behavior. It's a powerhouse combination, allowing Russell to find shades of complexity in a character who realizes, almost too late, that he's a devil in the hell of L.A. --Jeff ShannonDARK BLUE - Blu-Ray MovieThe Rodney King riots of April 1992 hang like a keg of dynamite over Dark Blue, a crackling tale of Los Angeles police corruption that gives Kurt Russell one of the best roles of his underrated career. Adapted by Training Day screenwriter David Ayer from a story by L.A. Confidential novelist James Ellroy, the plot finds Russell's rule-bending detective t! eamed with a promising young partner (Scott Speedman) whose ethics have yet to be tainted. Their boss (Brendan Gleeson) is a lawless maverick, maneuvering the unwitting detectives into covering up a lucrative robbery scam, while L.A.P.D.'s Deputy Chief (Ving Rhames) campaigns to bring them all down. While adhering to familiar cop-thriller formula, director Ron Shelton (Bull Durham) escalates tension with forceful impact, drawing a climactic parallel between the King riots and the fallout from Russell's cynical behavior. It's a powerhouse combination, allowing Russell to find shades of complexity in a character who realizes, almost too late, that he's a devil in the hell of L.A. --Jeff ShannonStudio: Tcfhe/mgm Release Date: 01/04/2011 Rating: RRepresent your creative energy and true self with the Dark Blue Crystal Fireball and Faceted Hematite Shamballa Bracelet. Strung along a black cord are sparkling blue crystal fireballs and faceted hematite bead! s that create a glamorous yet organic look. These blue and bla! ck beads are also featured on each knotted end of the bracelet, forming pulls to adjust the bracelet for a perfect fit. Inspired by Tibetan and India culture, Shamballa bracelets are a chic and collective accessory for any occasion.

Death Race 2000 (Roger Corman's Cult Classics)

• The 1975 low-budgetic Death Race 2000 takes place in the year 2000, when America s national sport is the death race, a cross-country excursion in which contestants rack up points by killing innocent bystanders. Meanwhile, a revolution is brewing, and rebels disrupt the televised competition in an attempt to overthrow the morally bankrupt President. Will Frankenstein, the mysterious reigning champ

Genre: Action/Adventure
Rating: UN
Release Date: 23-DEC-2008
Media Type: DVDMayhem rules in Death Race, a head-over-heels remake of the Roger Corman cult classic Death Race 2000, in which cars become lethal weapons. The strength of this new version is its total single-mindedness about vehicular homicide; it has the virtue of no cluttering subplots or simpering sentimentality. And banish all memory of the original's wild satirical comedy: ! Death Race is as grim as a dinner tray to the face (a reference that will be explained in a key sequence). In a slightly futuristic maximum-security prison, cons take part in brutal races around the island prison, their violent deaths watched live by millions of viewers. Jason Statham, possibly cast because of his driving dexterity in the Transporter movies, plays a man wrongly imprisoned for murder. Joan Allen provides her brittle cool as the warden, who recruits Statham to assume the masked persona of a legendary driver called Frankenstein. Tyrese Gibson is Frankie's main rival, Natalie Martinez provides the fetching eye candy, but the acting honors go to Ian McShane, as the philosophical prison mechanic. One misses the cross-country race from the original film, as the setting here is claustrophobic and the cars are largely colorless and indistinguishable from each other. Director Paul W.S. Anderson (Resident Evil) continues to display the sensibili! ty of a video-game addict, which will either be a recommendati! on or a turn-off, depending on your own tastes. At least it doesn't have the hypocritical moral blathering of something like the somewhat similar Condemned--who knew you could be so grateful for simple, straight-forward head-bashing? --Robert Horton


Stills from Death Race (Click for larger image)

DEATH RACE - Blu-Ray MovieMayhem rules in Death Race, a head-over-heels remake of the Roger Corman cult classic Death Race 2000, in which c! ars become lethal weapons. The strength of this new version is! its tot al single-mindedness about vehicular homicide; it has the virtue of no cluttering subplots or simpering sentimentality. And banish all memory of the original's wild satirical comedy: Death Race is as grim as a dinner tray to the face (a reference that will be explained in a key sequence). In a slightly futuristic maximum-security prison, cons take part in brutal races around the island prison, their violent deaths watched live by millions of viewers. Jason Statham, possibly cast because of his driving dexterity in the Transporter movies, plays a man wrongly imprisoned for murder. Joan Allen provides her brittle cool as the warden, who recruits Statham to assume the masked persona of a legendary driver called Frankenstein. Tyrese Gibson is Frankie's main rival, Natalie Martinez provides the fetching eye candy, but the acting honors go to Ian McShane, as the philosophical prison mechanic. One misses the cross-country race from the original film, as the settin! g here is claustrophobic and the cars are largely colorless and indistinguishable from each other. Director Paul W.S. Anderson (Resident Evil) continues to display the sensibility of a video-game addict, which will either be a recommendation or a turn-off, depending on your own tastes. At least it doesn't have the hypocritical moral blathering of something like the somewhat similar Condemned--who knew you could be so grateful for simple, straight-forward head-bashing? --Robert Horton


Stills from Death Race (Click for larger image)

Studio: Uni Dist Corp. (mca) Release Date: 01/18/2011In the world’s most dangerous prison, a new game is born: Death Race. The rules of this adrenaline-fueled blood sport are simple, drive â€" or die. When repentant convict Carl Lucas (Luke Goss) discovers there’s a price on his head, his only hope is to survive a twisted race against an army of hardened criminals and tricked-out cars. Also starring Danny Trejo and Ving Rhames, Death Race 2 tells the explosive story of how the legendary race began. Strap yourself in for an insane thrill-ride!From the man who introduced us to Jack Nicholson, Francis Ford Coppola, Jonathan Demme, James Cameron and Martin Scorsese . . . Shout! Factory is proud to present a new collectors series of Roger Corman s most loved productions.


Welcome to the year 2000, now a place plagued by a lack of morals and political unrest. The only thing that society looks forward to is the three-day Transcontine! ntal Death Race, a high-speed competition that is won by the d! river wh o collects the most points by killing spectators and pedestrians. But this year the drivers have something to worry about other than getting killed by rival contestants: there is a group of anti-race activists trying to stop the race for good. The games all-time champion, Frankenstein (David Carradine), takes on such colorful characters as Machine Gun Joe Viterbo (Sylvester Stallone), Calamity Jane (Mary Woronov), Nero The Hero (Martin Kove) and Matilda The Hun (Roberta Collins) in this dark comedy-science fiction classic directed by Paul Bartel ( Eating Raoul). ?

Bonus Features:

* New Anamorphic Widescreen (1.85:1) High-Definition Transfer From The Interpositive Film Element

* David On Death Race: Interview with David Carradine

* Audio Commentary With Roger Corman & Mary Woronov

* New Audio Commentary With Assistant Director Lewis Teague And Editor Tina Hirsh

* Playing The Game: Looking Back at Death Race 2000
* Ready To Wear: Interview with costume designer Jane Ruhm

* Designing Dystopia A detailed look at the design of the films now-legendary race cars, costumes and futuristic landscapes with members of the production, design and costume crew

* Start Your Engines: Interview with author Ib Melchior

* Killer Score: An all-new interview with composer Paul Chihara on the creation of the films eclectic score

* Leonard Maltin Interviews Roger Corman About Death Race 2000

* Theatrical Trailer

* Theatrical Trailer With Commentary By John Landis

* TV And Radio spots

* 12-Page Booklet

* New World Trailers